Improve Your Writing
How to Find the Right Critique Group or Partner for You
Brooke McIntyre of Inked Voices explains what to look for in a critique group and how to find the best writing critique group for you.
What Isn’t Said Still Screams: Writing Subtext in Horror Fiction
Emerging writers often focus on plot and action—both essential!—but the true pulse of horror comes from what festers just beneath the surface.
How POV Affects Character Inner Life
Tips from a career editor on how the type of POV you choose affects the way you give readers access to your characters’ thoughts and feelings.
How a Misbelief About Love Can Be a Guiding Light for Your Romance Characters
Understanding what holds your characters back from loving or being loved fully will equip you to write a romance with a compelling arc.
How Writing Romance Has Made Me More Creative
One author learns that putting boundaries—such as genre expectations—around creativity can actually stimulate it rather than inhibit it.
When to Let Go: Recognize the Point of Diminishing Returns in Revision
Embrace the fact that creation is never truly finished—it’s simply released at a point where it can begin its life in the world.
A Novel Blueprint for Building Your Book
One author finds that using digital tools to create a visual story grid is the trick he needs to crystallize his ideas and never miss a beat.
Don’t Ruin the Mystery: How to Reflect in Memoir Without Giving It All Away
What draws readers into your story is the mystery of how you achieved your transformation, so reflection must be handled carefully.
Sensitivity Reading in Speculative Fiction: Why It Matters More Than You Think
No matter what story we read, we bring ourselves with it. That’s why sensitivity should be the forethought, not an afterthought, in our world-building.
POV Bright Spots and Blind Spots
Every narrative point of view has something it does well and something it doesn’t do as well. Here’s a look at how they compare.
It’s a Book, Not a Slide Deck: Avoiding Fast-Content Habits in Nonfiction
Bulleted lists and unbridled text formatting might work online, but overuse in a book can risk distracting readers instead of guiding them.
Immersive Interiority: How to Collapse Narrative Distance to Get Emotion on the Page
A few simple language shifts can take your reader from watching people on the page to feeling like they’re right inside the scene.
An Argument for Why The Christmas Carol Is Really a Coming-of-Age Story
One writer asserts that Scrooge’s arc isn't that of becoming a new person, but confronting his core wound and rediscovering his true self.
Building Devices That Drive Story Suspense
Thriller writers don’t always need a plot to get the creative juices flowing—they need a trigger, a simple idea that creates unease.
Borrow From Fiction’s Toolbox to Elevate Your Nonfiction Book
Nonfiction authors can adopt some of the tricks novelists use to make readers care deeply about the topic and want to keep turning the pages.
Beyond the Accent: Writing Speech Patterns Authentically
Writers bear a responsibility to represent diverse voices authentically rather than falling into the trap of stereotype or caricature.
More Than Setting: Centering Nature in Your Fiction
If the natural world is important to your story, be sure to engage it on a deeper level than descriptions of pretty scenery.
The Secret to Avoiding a Sagging Memoir Middle
The finest memoirs are distilled experiences: the more you compress, the more potent your story becomes.
Timely Yet Timeless: Crafting Nonfiction That Outlasts Current Events
In a world changing at breakneck speed, how do you prevent a researched nonfiction book from being outdated by the time it is published?
Structural Mastery: Why the Classics Endure
Studying the structural choices in classic literature is one of the best ways to understand how story architecture fuels emotional impact.
No Twists for Twists’ Sake: Earn Your Ending
When writing mystery or thriller, you earn your ending by properly laying the groundwork so that readers don’t feel cheated by plot twists.
Exophonic Writing: Crafting Fiction in a Foreign Language
Writing in a non-native tongue—exophony—means letting go of certain habits and navigating cultural aspects without compromising one’s truth.
Dodging the Scarcity Trap
The best way to support your book, especially in the nonfiction world, may be sharing your ideas freely long before the book appears in print.
Remembering Susan DeFreitas
Remembering author and editor Susan DeFreitas, whose life was cut short by cancer.
This Memoir Could Have Been an Email: Telling Your Story With Different Forms of Communication
Different forms of communication—letters, voicemails, social posts—can enrich your memoir, so long as they help tap into something universal.